Guitar Lick Videos
This type of comping between phrases makes one guitar sound like two, and was a big reason that Lenny turned so many heads when he first hit the scene. For the first bebop lick, in bar 1, that lick lands on a fingering on the 4th string, around the notes A-B-C. Jimmy Raney is a bebop guitar legend, and a true master of bebop style soloing on the guitar. Though his jazz funk and fusion playing is well known, Sco also has recorded a number of classic bebop influenced tunes and records. Feel free to repeat this lick for more than 2 bars, as Boogaloo and Pat both do, in order to create longer spans of energy in your lines. Digging into a minor ii V I Tal Farlow lick, you see some rhythmic ideas used to create interest in the second half of the line.
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The chord names are written below to help you see each chord, and how it relates to the underlying change. This line uses the blues note, b3, leading into the 3 rd and then the root of the underlying key of C major. Click to hear Wes Montgomery Licks 5. Sidestepping creates a slippery feeling in your lines, but you have to make sure to resolve it such as Benson does here. Then, slowly build up the tempo as you increase the speed with this Grant Green bebop lick in your studies.
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Description: Playing the 7alt sound over both the ii and V is a great way to simplify your thought process, while outlining the underlying key center at the same time. By breaking longer lines up into smaller groups, Wes was able to keep the listener guessing as to what was coming next in his octave solos. Check them out here, add some variety to your practice sessions and reach for the guitar stars. This lick outlines a C7 chord, with most of the notes coming from the C7 arpeggio, with the 4 th , F, used to create movement between the 3 rd and 5 th of the chord. This type of comping between phrases makes one guitar sound like two, and was a big reason that Lenny turned so many heads when he first hit the scene.